Kazeyomi
| oboeteiru? hi no hikari de kotori no you ni mezameta hi o mirai nante atarimae ni kuru mono da to omotteita suki na hito to zutto issho ni itai sonna tanjun na yume mo kanaerarezu ni bokura wa koko de hanarete shimau no hayaku ichiban taisetsu na hito no tokoro e kono mama kimi o hontou ni ushinau sono mae ni kotae wa tokku ni kimatteru omoi o katachi ni kaeru n da soba ni ite mo kidzukenakute ima ni natte wakatta koto moshikashitara ano koro yori boku wa kimi no chikaku ni iru chikara makase ni tada dakishimeta tte mamoru koto wa dekinakute boku wa daiji na mono o ikutsu mo kowashite kita kedo hashire ima jiyuu ni naru boku no ishiki todoke genshoku no hane ni notte maiagare kitto maniau saihate no mukou de kanarazu aeru n da hayaku ichiban taisetsu na hito no tokoro e kono mama kimi o hontou ni ushinau sono mae ni kotae wa zutto kimatteta boku-tachi wa shitteita omoi o katachi ni kaeru n da bokura wa sore o mirai to yobu n da |
Do you remember? The day we woke up like birds in the sunlight I’d thought of the future as something that would obviously come I always want to be together with the one I love Without even such a simple wish granted, we’ll be completely separated here Hurry, to where the one who’s most important to me is Before I really lose you, at this rate The answers are especially settled I’ll turn my feelings into a shape Unable to realize even at your side what I know now, perhaps I’m closer to you now than I was at that time Although I’ve come to break many important things I can’t protect you by forgetting about strength and just holding you Run – my now freed consciousness Get through – riding wings of primary colors, soar off I’m sure I’ll make it – beyond the farthest ends, we’ll surely meet Hurry, to where the one who’s most important to me is Before I really lose you, at this rate The answers were always settled We knew that I’ll turn my feelings into a shape We’ll call that the future |
Song info: Tsubasa Chronicle Shunraiki [Tsubasa Chronicle Spring Thunder Chronicles] opening theme.
Maaya's liner notes: [Yuichi] Ichikawa-san faithfully lived up to my image of someone who’s collected a lot of sort of “majestic” pop albums. Ichikawa-san too even said “I think this is, historically, my greatest work!”
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